The show’s title is borrowed from the biological process whereby bacteria adapt to rapidly changing environments. It is also a nod to a musical term that refers to developing out-of-sync sounds waves resulting in a strumming effect – repeated musical passages in a slightly altered form. These terms inspired Sheppard’s interpretation of the selection of archived materials to represent the forgotten history of the queer community in a positive way.
“When you walk into the space, you don’t feel the darkness surrounding being queer in the ’70s,” says Pam Corell, Assistant Curator at the Saint Mary’s University Art Gallery. “Lou does an excellent job bringing his positive outlook on life to create a celebratory aspect to such a dark period for the queer community.”
In addition to the exhibit, visitors can view some of the inspiration materials from the archive in the Reading Room. Created by Sheppard, these materials were curated by Undine Foulds, the Halifax Young Curator for the Saint Mary’s University Art Gallery.
This is the second year the gallery has hosted a Halifax Young Curator, an internship for emerging or young curators who live or explore barriers to the contemporary art sector.
“I hope people can experience a sense of queer history in the space,” says Sheppard. “We’re living in a time where queer identity is very visible and can be publicly celebrated, but that hasn’t always been the case. It is important to know who worked for the freedoms we have today.”
“Phase Variations” runs until April 17. The gallery is currently operating from noon to 5 p.m., Tuesday through Sunday.
The Saint Mary’s University Art Gallery was established in 1971 and was the first purpose-built university art gallery in Halifax. Built to National Gallery of Canada Standards, it focuses on contemporary art.